Sufiyum Sujatayum film audit: Aditi Rao Hydari-starrer doesn't satisfy its reason

Sufiyum Sujatayum film audit: Aditi Rao Hydari-starrer doesn't satisfy its reason 

Sufiyum Sujatayum film cast : Aditi Rao Hydari, Dev Mohan, Jayasurya 

Sufiyum Sujatayum film executive : Naranipuzha Shanavas 

Sufiyum Sujatayum film rating : Two stars 

Excellent youthful Sujatha experiences passionate feelings for a sufi holy person: thus, Sufiyum Sujatayum. In nowadays when simply the murmur of a between strict marriage can cause devastation and visit the anger of disliking gatekeepers and good police upon the darlings, a film which gives us a Hindu-Muslim pair should be praised. Unfortunately, the film doesn't satisfy its reason. 

The call of the 'azaan', through the smooth voice of Sufi (indeed, the sufi holy person is called Sufi: talk of expressing the self-evident) is mesmerizing to such an extent that Sujatha, who can hear however not talk, is hypnotized. Novice Dev Mohan and Aditi Rao Hydari make a winsome pair, him in his full facial hair and vivid head-gear and profound look, and her so ethereal. 

There was potential here. In the manner the outsider to this sentiment, the Dubai-based Raveendran (Jayasurya) is reluctantly pushed in with the general mish-mash, and his uncomfortable relationship with Sujatha. In the manner the top of the sufi order gets out the stubbornness of the young lady's dad, saying 'religion is an individual thing' when the previous issues a danger. 'Try not to begin an affection jihad', he says. 

This component of 'affection jihad', an abused, abused term, which ought to never have been utilized related, whenever managed in detail, could have made this a strong film. Be that as it may, it's practically similar to an expendable expression, and very nearly two hours are spent on an inadequately composed plot which burns through a lot of time on the star-crossed darlings trading looks and notes without saying a lot. It doesn't help that the stunning Hydari doesn't generally fill her part. For somebody who doesn't have spoken exchange, the non-verbal communication should be solid: Hydari has a couple of decent minutes, yet she is restricted in its remainder. 

The men charge better, and the music takes off in parts. Be that as it may, for a film which is attempting to state something so critical, something which bears rehashing in these spellbound occasions, it expected to have been vastly improved.